Vancouver Deputy Mayor Heather Deal
has a number of portfolios – usually all the ways to make sure our City is becoming delightful – including Arts & Culture. She is passionate about the topic and a Councillor Liaison to the Arts & Culture Policy Council so I asked her to tell me more. She shared stories about her conversations with Vancouverites on public art.
1. Poodle on a Stick
Poodle (no official name) by Gisele Amantea got negative media when someone from the area complained that Main Street isn’t a poodle neighbourhood. Which is awesome because public art got people talking about the identity of their neighbourhood.
There were also complaints about cost and it not being a local artist (both based on inaccurate reporting).
(TP note: How many of our public art pieces have their own Twitter account? Follow @MainStPoodle)
When people complain to me about the poodle, I ask them what piece of public art they do like.
2. A-mazing Laughter
9/10 answer: A-mazing Laughter at English Bay – a Vancouver Biennale piece. So I ask them 3 questions about it:
Does it reflect the West End?
How much did cost?
Where is the artist from?
No one can answer that. Not one person to date.
(TP: I was able to answer all 3 – including who negotiated the counteroffer and donated it.)
3. The Third Piece
Then I ask for opinions about a third piece of public art. Very few can name one. Some come up with Myfanwy MacLeod’s The Birds in Olympic Village.
Some can name Giants by OSGEMEOS on Granville Island – another biennale piece from an international artist team.
4. I love it when people talk about our city.
Art is a great place to start that conversation. Learn about the hundreds of pieces of public art in Vancouver at the City’s website here.
5. Notice art.
Think about whether you like it or don’t. Look it up and learn about the artist and their inspiration.
Did you know that the poodle was made by an artist living in the region at the time and that it was inspired by the antique shops on Main Street? (TP: I had no idea.)
We also want to encourage people to think about what they like and want in public spaces such as art (murals, pieces, etc.) and what type of programmed space, festivals, and unprogrammed squares or plazas they’d like.
Ask yourself: Do you want to be entertained? Amused? Challenged?
Reminded of something in our history, negative or positive?
Awed? Do you want to be able to interact with it?
Does it compel you to take a selfie with it?
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